Sylwia Makris is a Polish photographer who has been making a name for herself in the art world with her thought-provoking and emotive works. Makris began her artistic career as a sculptor, but in 2007, she shifted her focus to photography. Since then, she has been creating striking and evocative images that capture the essence of the moment and convey a sense of atmosphere.

One of Makris' most ambitious projects to date is the Old Masters project, in which she reinterprets and reevaluates traditional paintings from the past. The project aims to question the ideals of beauty in our present society and encourages a critical analysis of these ideals. It explores the possibility of discovering universal beauty, a theme that runs throughout Makris' work.

"A face always tells more than it knows," Makris says. "Photography is never just a capture of what is. It always communicates what has been, what could have been, and also the suffering beneath the surface." This sentiment is evident in the Old Masters project, which seeks to uncover the hidden emotions and messages that lie beneath the surface of these traditional paintings.

The Old Masters project is a powerful exploration of the relationship between beauty and tradition. Makris' photographs are not simply reproductions of these iconic works, but rather, they are a reimagining of them. By reinterpreting these paintings, Makris invites the viewer to reevaluate their point of view and question their own assumptions about beauty and tradition.

Makris' approach to photography is both personal and political. Her works are not just about capturing a moment in time, but they also comment on the social and cultural issues of our time. Through her photographs, Makris invites the viewer to think critically about the ideals of beauty that are presented to us and to question whether they are truly universal or if they are shaped by our society's biases and prejudices.

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